Their Eyes Were Watching God

-->Historical Perspective

A The Great Depression

For southern farmers, both black and white, who did not enjoy the prosperity of northern industrial centers, the Great Depression had begun in the 1920s, well before the stock market crash of 1929. Factors such as soil erosion, the attack of the boll weevil on cotton crops, and the increasing competition from foreign markets led to widespread poverty amongst southern farmers. The majority of African Americans were still farming in the South and they were much harder hit than the white population, even after the advent of President Roosevelt’s New Deal. The numbers of blacks on relief were three to four times higher than the number of whites, but relief organizations discriminated by race; some would not help blacks altogether, while others gave lower amounts of aid to blacks than they did to whites. Such practices led one NAACP leader to call the program “the same raw deal.” Many critics have criticized Their Eyes Were Watching God for ignoring the plight of African American farmers in the South during the 1920s and 30s, although Hurston does briefly describe the downtrodden migrant workers who come to pick beans on the muck. “Skillets, beds, patched up spare inner tubes all hanging and dangling from the ancient cars on the outside and hopeful humanity, herded and hovered on the inside, chugging on to the muck. People ugly from ignorance and broken from being poor.”

B The Great Migration and the Harlem Renaissance

A large number of African Americans fought in the First World War under the banner of freedom, only to return home to find how far they were from such a goal. By 1920, over one million blacks had fled the South, where they had little chance of rising out of poverty, and migrated to the industrial centers of the North where they obtained jobs in factories and packing houses, eventually making up as much as twenty percent of the industrial work force there. The migration of blacks to northern cities caused whites to fear that their jobs would be threatened, and increased racial tensions erupted in race riots in 1917. Nonetheless, many blacks began to vocally demand an end to discrimination. Out of this climate came calls for a “New Negro,” who would be filled with racial pride and demand justice for his people. While earlier black leaders, represented by Booker T. Washington, had accepted segregation and preached cooperation and patience, new black leaders like W. E. B. DuBois insisted that concessions and appeasements were not the correct approach, and that complete equality could only be achieved by demanding it without compromise. DuBois also believed that the “Talented Tenth,” his name for the small percentage of educated blacks, must lead the way for the masses of blacks who still lived in poverty and lacked educational opportunities. DuBois’s ideas were reflected in the newly formed black middle class, which, although small, sought to exert an influence on behalf of all blacks. The new efforts of this black elite were centered in Harlem, where a large percentage of migrating blacks ended up, turning the area into a rich, thriving center of black culture. The new energy generated there by jazz musicians, writers, artists, actors, and intellectuals became known as the Harlem Renaissance. This artistic and intellectual movement confronted the racial prejudices of white America by demanding equal recognition for their talent and by depicting the injustices experienced by African Americans. But ironically, although the artists of the Harlem Renaissance intended their works to promote better conditions for blacks less fortunate than themselves, few blacks around the country were even aware of the movement. In fact, it was more often whites who comprised the audiences and readerships of the products of the Harlem Renaissance. A cult of the primitive, which celebrated all things exotic and sensual, had become all the rage in New York and many wealthy whites flocked to Harlem to witness and participate in the revelry. But wealthy whites were essential to the livelihood of many black artists and writers who relied on their patronage, a fact regretted by many who felt that the artistic products of African Americans were muted to appeal to the tastes of the whites they depended on. Although the stock market crash of 1929 brought much of the activity in Harlem to an end, the creative energies of those involved had not abated, and many, like Zora Neale Hurston, produced their best work through the 1930s.

C Race Colonies

After the Civil War, former slaves formed a number of all-black towns all over the South, in an effort to escape the segregation and discrimination they experienced amongst whites. By 1914, approximately thirty such towns were in existence. Eatonville, Florida, the town where Zora Neale Hurston grew up and the Setting for much of Their Eyes Were Watching God, was the first such town to be incorporated and to win the right of self-governance. In Eatonville, the Jim Crow laws, that segregated public schools, housing, restaurants, theaters, and drinking fountains all over the South, did not exist.

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